See Also…

Alexander Alberro and Blake Stimson, eds., Institutional Critique: An Anthology of Artists’ Writings, Cambridge, MA: The MIT Press, 2009.

Walter Benjamin, The Storyteller: Tales Out of Loneliness, Sam Dollar, Esther Leslie, and Sebastian Truskolaski, eds., Brooklyn, NY: Verso, 2016.

Hal Foster, “An Archival Impulse,” October 110 (Fall 2004): 2-22. 

Rike Frank, “When Form Starts Talking: On Lecture-Performances,” Afterall 33 (Summer 2013): 4-15.

Andrea Fraser, “Speaking of the Social World…” Texte Zur Kunst no. 81 (March 2011): 151-157.

Boris Groĭs, “Art in the Age of Biopolitics: Artwork to Art Documentation,” in Art Power, Cambridge, MA: The MIT Press, 2008.

Julian Klein, “What is Artistic Research?” Journal for Artistic Research (23 April 2017). 

Charles Merewether, ed., The Archive, London: Whitechapel; Cambridge, MA: The MIT Press, 2006.

James Meyer, “What Happened to the Institutional Critique?” in What Happened to the Institutional Critique? Peter Weibel, ed. exh. cat., 239-256. Cologne: Dumont, 1993.  text available here

Mariana Bonilla Rojas, “Between Art, life and Documentation: Documentary Strategies in the Works of Tania Bruguera and Marjoleine Boonstra,” ZhDK CAS Paper (June 2015). 

Alan Sekula, “The Body and the Archive,” October 39 (Winter 1986): 3-64. DOI: 10.2307/778312.

Akram Zaatari, “Photographic Documents, Excavation as Art,” in The Archive, Charles Merewether, ed., 181-184. London: Whitechapel; Cambridge, MA: The MIT Press, 2006.

Akram Zaatari in conversation with Anthony Downey, “Photography as Apparatus,” Ibraaz 006 (28 January 2014). 


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